Tag Archive for 'inspiration/reference'

Go Team!

Things that we did this weekend at the Hexagon

  • cleaned the heck out of the whole place, including the main room, bathrooms, bar, gallery, storage room, and basement
  • took a major truck haul to the dump
  • primed and repainted the ENTIRE gallery and front desk (the paint we had been using was cheapish and gray and kind of ugly). this took sooooo long.
  • patched up a big hunk of broken drywall
  • etched, degreased, and repaired the gallery’s concrete floor (final coating today! it’s looking sooooooo good so far!)
  • took a couple breaks for karaoke and junk food
  • repainted the whole back hallway

so much so much so much! my body is KILLIN me. I’m sure we are all very exhausted and this Monday has been uniquely painful already. but the space is looking wonderful and we are all really excited. I have pretty much booked the space (and soon to be auxiliary project space) until October and I’m looking forward to all of the shows. WOO TEAMWORK!

thank you, 2010

barely a week in and I am having the best year ever!!!!

Career things looking GOOD

ARTWORK ON DA MOVE

Getting good press!!!

I love my friends and my family!

Oh hey, it’s a mustache

I’ve got a plan, got some things in my calendar that could potentially lead to some other cool things, I feel like all of my really super duper way hard work is making a concrete, happenin’ impact.

Community! I’m part of one, I love everyone!

Making work! Color correcting slides! Rewriting and updating CVs!

exclamation points!

(admittedly, schadenfreude)

AWESOME upcoming plans with my bff Mike (count chocula, meditation workshops, AS220, metaling our faces off)

LIFE

IS

SO

GOOD

idea time

ideally for this very specific space I love in Philly

and conveniently, there is a deadline soon.

black lines starting in the lecture space; debris across the floor, even beside reception desk; it slowly accumulates along the threshold, below and above, leading into the space; growing up from the ground and then creeping along the wall until there is a burst of darkness and line and ink and hair and silk; and facing, from the window light, opposing masses of black lines are white/clear/dirty/translucent marks, opposite in pigment and even dirtier as you inspect them; grid of drawing squares; prints on methyl cellulose hanging, floated, from the wall surface; alternating wax and glue. 3 installations to fill the room.


Given how accessible and public this here blargh is, I never use this thing for hashing out my in-betweens; So public with product and private with process, but maybe, maybe, maybe I’ll change it up a little.

JS in CP

I can never say this enough, but my favorite thing about Baltimore is how multi-faceted everyone’s talents are. I pride myself in knowing that I’m friends with some of the most brilliant people I’ve ever met. Like seriously: get our quirky little Smalltimore circles together in a room, and the mind bullets would be astounding.

My pal justin sirois is featured in this week’s City Paper. Here’s hoping that this, along with all the other awesome press he’s received, gets his novel out soon. Good on ya, Little J!

rlly!

Warren Seelig @ MICA

!!!

Warren Seelig, one of my mentors from grad school and major influences, is exhibiting a retrospective of his work at MICA! This is awesome news, and I can’t wait to see his fiber pieces in the space. Aww. His critiques were really pivotal in helping me shape my thesis and body of work of the last 3 years. This is so great.

More info at the Bmore Art Blog.

The Complex of All of These

My dear friend Lindsay is currently living at the Women’s Studio Workshop (aka one of the most amazing print places on earth), and I am totally digging this montage of a recent WSW project. Assembled and collaged by Abigail Uhteg of January Press, this video is just mesmerizing, and makes me wish I had constant access to an etching studio, paper vats, and private bindery. I could watch this over and over again!

The Complex of All of These

Map Cuts

by Karen O’Leary

New works by Nikki S. Lee

Not sure how I missed this, but one of my all time favorite photographers (seriously: if you’re having trouble sleeping, give me a couple pints and let me nerd out about surrogate authorship and photography for a few hours), Nikki S. Lee has this new body of work that she’s been showing. Although I am generally not crazy about charcoal portraits, I’m really interested in her new way of working as it relates to her other collections, namely Parts. Can’t wait to see where this goes.

Speaking of nerding out, I’m taking this bookbinding workshop next week with Gary Frost. Hooray fancy book theory and stuff.

Structure and Action in Codex Binding
“Physical books have elegance not only as artifacts, but also as exemplars of legibility, of easy and non-damaging navigation, and mobile action. Historical structures easily produce page displays and gracefully respond to reading manipulations. How do they perform so well or not so well?

This session will provide analysis and evaluation of the functional mobility of the codex structure. Basic design issues of materials selection, mobility inhibitions, and the nature of analog access will be discussed. A taxonomy of prototypes, spanning mechanical structures and historical contexts, will be defined and studied. Attributes of each type will be considered in context of exhibition, imaging, reading, portability, durability, and kinetic appeal.

This systematic evaluation of foundational codex structures will help resolve design issues for book conservation practice. Guidelines for endpaper and cover to text attachment will be suggested. Attributes and deficiencies ranging from the design traits of papyrus bookbinding to constraints of print-on-demand binding will be demonstrated and discussed. Students will present and resolve structural problems in their own practice. An array of publications and support opportunities will be suggested.

Hands-on exercise will include paper cover, case construction binding suited to 18th century pamphlets.”

My brain is going to be so full!

wild turkey + apple cider

theartists

In MFA-world, we called it Post-Partum-Show-Depression, that every time you have an exhibition, you celebrate and then completely crash. The feeling can last anywhere from a day to months. I’m sure we all experience it in different ways–you spend months, years, latelatelate nights churning out this beast, show it off, go on a celebratory bender for however many days you have friends in town, and then you come home in the evening and look at your desk that is no longer covered in horsehair, silk, wax, or paper scraps. “now wut?”

What to do? The dishes that have piled up, not that you’ve had the time to cook a proper meal all month. Sort through your bedroom floor’s mountain of dirty clothes blending into the clean clothes you were too lazy to put away. Scrub that shower curtain. oh, right, and remember what it means to take care of yourself again: cooking (for real though), hot yoga, returning social phone calls, getting more than 3-4 hours of sleep. it’s totally glorious! not spending Friday nights with your creative cohorts at the hardware store? amazing.

This time around, the post-terrain-malaise only lingered for ~48 hours. not bad! It certainly helped that my old studiomate and BFF Mandy came for the festivities, so instead of nursing my headache (and liver) under the covers all day, we had our little nerd-out slumber party and talked shop and offset artist books, gossiped about boys, drank recovery smoothies, and shared food stories. I’m thinking about my next drawings and some upcoming deadlines, but for now it’s nice to be slooooow.

So, you know I have a Tumblr for dumping all things inspirational/cats/sharks/90’s/venn diagrams. I mostly source from other art blogs (BTdubs: biiiiiggggesssstttt tumblr/blogosphere pet peeve: NOT SOURCING THE ARTIST WHEN YOU’RE TRYING TO SHOW OFF SOMETHING COOL. HATE YOU GUYZ. SOURCE THAT SHIT, OKAY) and through the usual sleepy-internet-metaclicking we all do, I found this great art blog by Siong Chin. I like his blog more than the usual Art Dump Blogs (fecalface/boom/ffffffffffffffound/beautiful decay/brightstupidconfetti/etc.) because it’s way narrative and personal, and not just a “oh here is something cool to look at, peace”. It’s easy to wander into Twee-land when you’re doing stuff like this, and he keeps his posts poignant, candid, and sincere.

how about some Hexagon updates for ya:

Continue reading ‘wild turkey + apple cider’




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