Tag Archive for 'philadelphia'

Baltidelphia Press

Was way too swamped last week/weekend to link these, but the show that Alex and I curated has been getting some press!

A writeup in the Sun by Tim Swift. I have some mixed feelings about the article, but I think they mostly stem from how hyper-sensitive one can become when it’s a project they’ve been working on for months and months and months, and perhaps an objective opinion is different from how they see it. In any case, I’m really glad that some of the artists were able to share their experience, and I hope it brought some people outside of our usual audience to the show. We’ve already sold two pieces!

Artblog of all artblogs, the artblog I read religiously while in grad school, home to some of my favoritist art writers and thinkers, did a bit about the show too! So thrilled we got a mention from this blog I so admire.

A few pictures are up on Radar Redux’s flickr. Thanks for visiting, guys!


Must say, after all the stress and coordinating and calming down the other artists who were stressed, Alex and I are pretty pleased with how things came together. Some artists had really successful experiences and will continue their correspondence; other artists weren’t as enthusiastic, but I think they were nonetheless able to learn more about their studio practice. What I loved was hearing so many participants say that they learned to work in a way they never had before, and that they started asking themselves all sorts of new questions. Awesome!

The joint opening in Philly was a success, we raged pretty late into the evening, and I got some much needed catch up time with my old Philly crew. (I’d say we had a little too much fun; I’m still hibernating a bit in recovery!) I’m also really excited that we’ll be hosting the Philly kids down here for the closing. It sounds like there will be quite a few of them caravaning together, and I expect it to be an all around super crazy fun time happy. Freda and Andrew will be doing a more involved version of their AMAZING performance piece (not sure what the permissions are on that facebook vid… sorry!), and I think we’ll have a combination of Bmore and Philly bands that night. Followed by whatever cavorting/celebrating/on the town we’ll be doing after the closing. So good!

As mentioned in my previous 2 spazz posts, I can’t get over how awesome 2010 has been already, even barring the total mountain of SUCK that 2009 was. I’m pumped!

idea time

ideally for this very specific space I love in Philly

and conveniently, there is a deadline soon.

black lines starting in the lecture space; debris across the floor, even beside reception desk; it slowly accumulates along the threshold, below and above, leading into the space; growing up from the ground and then creeping along the wall until there is a burst of darkness and line and ink and hair and silk; and facing, from the window light, opposing masses of black lines are white/clear/dirty/translucent marks, opposite in pigment and even dirtier as you inspect them; grid of drawing squares; prints on methyl cellulose hanging, floated, from the wall surface; alternating wax and glue. 3 installations to fill the room.


Given how accessible and public this here blargh is, I never use this thing for hashing out my in-betweens; So public with product and private with process, but maybe, maybe, maybe I’ll change it up a little.

A crafty weekend in Philly

Hey Philly readers! Brave the showers on Saturday and come check out TWO crafty events:

I’m tabling with Amanda D’Amico of Tiny Revolutionary Press at Little Berlin’s BYOTY and we’ll be selling artist books from our presses and from our colleagues. Lots and lots of limited editions and fine press books, perhaps some broadsides too.

Lotsss of my Baltimore craft peers will also be selling at Squidfire’s first ever Philly art mart too. Get a preview of what we’ve all got in store for the upcoming season of holiday shows. Philly Philly Phillyyyy, it’s been a while, can’t wait to seeya.

“Vanished in these black lines”

I’ve about filled my sketchbook now that the Hybrid Book Fair is over.

What a success! First and foremost, I need to rave about Michelle, Amanda, Mary, and Susan for their tireless work in putting this thing together. Almost 2 years in planning/emailing/accommodating/organizingorganizingorganizing for a weekend of simple brilliance. I can barely contain myself of all the love and admiration I have for these women.

Not really sure if I can summarize, let alone do justice to a wrap-up of the conference… I will say that I’ve come back from it energized and inspired and full of more questions for my own practice. Maybe I ought to leave it till the podcasts go live? (by the way, if you haven’t already, do check out Steve Miller’s amazing podcast interview series, Book Artists and Poets) For now, some liners scribbled into my book, and these are just from the panels, not even from the fair or mingling or reunion:
Susan Stewart’s oxymoron of the sign–the distance between meaning and object
The Poet is Boss
building discourse for book arts
DIY/DTP/POD/OAP and the sounds of Offset
escaping gallery hegemony with Ed Ruscha
Codes of photography/mutability
Patty Smith: Offset is genderless but macho, physical but intellectual, generous but greedy… “we only have one bathroom, so it’s illegal to hire girls”
This book belongs to offset
Barthes: text as expansive field
3-minute studio practice, 10-minute mind maps
Alice Mott: you can make the whole trip behind the headlights
Fascicles
Jen Bervin: feeling more authored in the absence of the text; the subtractive process is really an additive process
Vacuoles of digital media
Marsha MacLuhan

That’s a lot of theory in one place y’dig? Being home already is quite an adjustment. Beyond all of the great dialogue and inspiration, I’m admittedly aching to be back. We had a little (well, huge) all-alumni reunion in celebration of the conference and the 20 year anniversary of the program. I think a lot about my role and place where I am right now, and being a part of such a dynamic community, started by a group of fiercely independent and driven women at a time when they were pish-poshed for wanting to be printers in a masculine print-world… it certainly helped me feel at ease that my feet were heavier than I thought in such a supportive and nurturing environment where we all make our work.

My colleagues (the catch word of the weekend) squeezed and squeezed and squeezed each other in reunion. Mandy noted: we didn’t come away from the program with just an MFA; we left with a FAMILY. As often as we disagreed, drove each other crazy, snapped out of stress and lack of sleep, as much as we drank and drank and drank and ate buttermilk pie and cried and injured ourselves at press or in editioning or hanging from ladders underneath installation, we were all a part of this force, locked together in imprint on this strange, expansive way of making art and life with each other.

BAW I’m getting all mind-weepy again, what a spectrum of emotions. Sad to be away from friends/colleagues/artists once more, happy to have spent good quality time with them and to have basically had a 4-day sleepover, sad to not have close artist friends here to listen to me gush about the conference, strangely comforted to know that I am not alone in that endeavor as we all scattered after graduation, sad to miss the little happinesses of Philly like Capogira and taquerias, happy to feel like I am working very hard to build a life for myself in Baltimore, sad to want a closer community here with me, happy to have been a part of it all.

I wish I had more photos of the whole extravaganza, but I only managed to grab a few not-too-flattering shots of… Leisure. Instead, I’ll give you some links that you really, really, really should peruse/read/investigate (probably more to come as I think of them). Miss ya, bookies! See you soon (never soon enough).

The Hybrid Book (stay tuned for podcasts of the talks)
Book Artists and Poets podcasts by Steve Miller, from the University of Alabama
JAB
Mimeo Mimeo
Shanna Leino, maker of beautiful handcarved tools
Jen Bervin, my latest favorite book artist
Will Sanders’ 800,000 Exhibition, in which 2500 books housed in 100 crates totaling about 2 tons, honor the 800,000 killed in Rwanda in 1994.
Combat Paper, an initiative out of Green Door Studio in which veterans use papermaking to create cathartic works of art in response to their experiences in war.

[Thursday] Shout-out/to-do: Philly edition

A few hybrid notes here: Friday shout-out is on Thursday this week, because I’ll be out of town and not really around computers; this week’s shout-out is also a to-do list because I’m very excited about these activities; and these are events happening in Philly.

That said, it’s time for the Hybrid Book Conference!!! My colleagues have been working so hard at putting this together, and I’m really looking forward to a long weekend of reunions, book arts, and all of these panels on the Artist Book as Hybrid/Interdisciplinary contemporary art. oh boy, I really really can’t wait.

Philly folk: if you don’t have tickets to the conference (sold-out!!), don’t fret. Many alumni from the programs as well as some of your favorite book artists and artist book dealers from around the country will be at the festival after the conference each day. Vamp & Tramp, Julie Chen, Bea Nettles, to name a few.

How are you spending your First Friday anyway? I suggest you make your way up to Fishtown (you’ll be in NoLibs anyway right?) to Little Berlin, where the awesome and amazing Alex Gartelmann has curated an 80-person collaborative happening, and they’ll kick it off tonight. 80 artists, writers, musicians, anthropologists, all in one huge space, celebrating collectivism, collaboration, and the mind-bullets of Philadelphia.

And if you need to decompress after all of that artin’, join me and my buddies at Philebrity’s annual Belle & Sebastian dance party on Saturday at 9 PM, at National Mechanics.

Get your boogie and bookie ON this weekend!




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